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most recent productions
BUSTER
CODACHROME
CODACHROME
Proud to have supported with tech and stage managing PROJECT LOCKOUT and their mime based production of BUSTER, depicting the life of Buster Keaton, with a focus on his hard working life and the issues around his personal life.
CODACHROME
CODACHROME
CODACHROME
Movement support and techie for this brand new original show written by Everleigh Brenner, with Maria Cristina Petitti. A Hoo Hah House Production that mixes trauma, humour... and a live DJ set!
creative producer
City Through Their Eyes is a free platform on the Bloomberg Connects app that tells the story of hundreads of artists on Little Amal's route to safety. The free digital audio guides have been produced exclusively by the artists under my own creative guide.
Sarah Loader and Amir Nizar Zuabi commissioned and overlooked the project; the app was powered by Bloomberg Philanthropies.
The app, that you can download here, highlights the voices of immigrants, refugees and asylum seekers from across the world.
Picture credit: Tristan Sadones
movement director
VERS - a double bill - Being the Movement Director for VERS at the Hen & Chickens Theatre was an exhilarating and formative experience. This production, comprising two one-act plays by F.L.J. Burge—The Dinner Scene and Poofs with Guns—offered a rich canvas for my debut in an official movement direction role. Though I had extensive training as a collaborative deviser, stepping into this position allowed me to explore and apply my techniques in new and challenging ways.
Working with a female-led company predominantly composed of LGBTQ+ creatives was both empowering and creatively stimulating. The inclusive environment fostered open collaboration, encouraging each team member to contribute authentically. This collective spirit was instrumental in shaping the physical storytelling elements of the show.
In Poofs with Guns, the use of Polari—a coded language historically used by gay men—added a unique layer to the performance. Integrating this with physical comedy and mime required a nuanced approach to movement, ensuring that the choreography complemented the linguistic elements and enhanced the narrative. The result was a dynamic and engaging portrayal that resonated with audiences and critics alike.
Critics praised the production for its energetic performances and effective use of movement The Reviews Hub (★★★★) (highlighted the "heightened staging choices" and the "enjoyable movement sequence" that opened Poofs with Guns, noting how these elements effectively dramatized the experience of the crime narrative. West End Best Friend (★★★★★) commended the cast and creative team for their "masterclass in physical comedy and prop-work," emphasizing the role of movement in bringing the stories to life.
This experience not only affirmed my passion for movement direction but also underscored the importance of collaborative storytelling in theatre. I'm grateful for the opportunity to contribute to a production that celebrated diversity, creativity, and the power of physical expression.
